the dark knight of eerily appealing techno - headless horseman - is back with a vengeance. this time, he has chosen to recruit the elektron octatrack, analog rytm, overbridge and machinedrum uw in order to pursue his modern-day arcane craft. his three tracks on this, the latest elektron grammofon release, will have you dancing headless into the heady future.

the weeping tune was originally released (digitally) in september 2015 on pg tune and premiered in arma17, moscow. barnt: artist, friend, dj and one of the minds behind magazine label, created his own version of the weeping tune to fit into his dj sets, one of the first times being at amnesia, ibiza. these energies naturally formed this release which opens the vinyl catalogue on pg tune: a must have record packed into a pg tune trademark sleeve, created with a thermal camera during tigas first ever live show at berlin festival. limited to 500 copies worldwide, pressed on 180 gram vinyl.

black vinyl

doom metal, for fans of electric wizard, darkthrone, the devil’s blood

remastered double vinyl reissue of the 1984 circus underwater album, including 6 unreleased tracks.

180g red & gold col. vinyl

limited orange vinyl in gatefold sleeve.

messiah infernal thrashing records, grimace purple/ white splatter vinyl, ltd 250, double sided poster, mastered for vinyl by patrick w. engel at temple of disharmony

messiah infernal thrashing records, black vinyl, ltd 250, double sided poster, mastered for vinyl by patrick w. engel at temple of disharmony

red vinyl, strong limited

ltd gold vinyl

requiem for jazz is a 12-movement suite composed and arranged by angel bat dawid, inspired in part by dialogue from edward o. bland’s 1959 film “the cry of jazz”. limited pressing on purple coloured double vinyl.

requiem for jazz is a 12-movement suite composed and arranged by angel bat dawid, inspired in part by dialogue from edward o. bland’s 1959 film “the cry of jazz”. classic black double vinyl edition.

lp on total clear vinyl in special cut out sleeve + inner sleeve

metal

black vinyl release.

light touches records hat es sich zur aufgabe gemacht, heiße raritäten, unbekannte grooves und vergessene klassiker neu zu beleuchten.

2022 begrüßt die erste 7- des labels mit zwei heißen, rauchenden tunes, die den sommer einläuten.

pressed on orange coloured vinyl, randomly housed in 1 of 5 different cover designs.

the self-titled debut album from toronto based project dr. joy.

incl jazzy-groove deep mix

legendary director and musician john carpenter returns with a new album of non-soundtrack music. limited pressing on red vinyl.

legendary director and musician john carpenter returns with a new album of non-soundtrack music. regular pressing on black vinyl.

2019 reissue

a new blockhead album on white vinyl.

das debütalbum des amerikanischen lo-fi/darkwave künstlers john maus aus dem jahr 2006 ist endlich wieder auf lp erhältlich.

heath brunner a.k.a. silicon is back with a new electro instalment on his imprint label vmax records entitled silicon. winding circuits is a throwback of a famous group that needs no mentioning. rx17 bleeds frequency and rhythm pushing that will move any dance floor. lost to the void is a freefall through a void in space. rounding this release out is trade craft, a deep soulful piece of crafted beauty with weeping synth lines echoing in a chamber of warmth. vmax is back and hitting it hard, a true underground label for the ones that know!

remastered reissue on heavyweight 180 gram vinyl of david bowie’s 1977 album.

amsterdams worst kept secret makes it back to unknown precept with his long-awaited album and first solo output since the acclaimed divine bovine tape mini-album. inspired by an evening spent in a restaurant next to a car demolition site, eindkrak s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. all this noise, in combination with the taste of good italian food, lead to the eleven tracks making up for the aptly titled brullend staal — loosely translated to weeping steel. a leisurely stroll on crumpled metal sheets, the acidic hints of oxidized metal and the smell of gasoline. inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. eindkrak s first full-length is all about this disquietude made of melted and straightened scrap metal. a resounding and tumultuous din. try to eat some nice gnocchis while listening to this album, and you ll see what it is all about.

jazziger , grooviger deep house

drittes album des texanischen produzenten alex cuervo aka espectrostatic, der dystopisch-elektronische klangkulissen voller schaurigem horror und melodischer schönheit mit post-punk-Ästhetik erzeugt. -silhouette- erscheint in einer limitierten, handnummerierten 500er lp-auflage auf transparent-blauem vinyl inklusive download-code.

eigentlich wollten nick cave & the bad seeds bereits vor gut drei jahren ein best-of-album veröffentlichten. aufgrund verschiedener dinge, persönlicher tragödien und ihres neuen albums wurde das release jedoch verschoben.
2017 dürfen wir uns nun umso mehr darüber freuen. hier ist »lovely creatures – the best of… (1984–2014)« – ein karriererückblick auf 180 gramm 3-fach vinyl.

tough techno versions, derived from stefan goldmanns synth-heavy a1 film soundtrack. five cuts remixed into the mighty 4/4 grid (mostly). free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on constructor and a-drive. the b2s spikes is a more loose affair around a scintillating analogue synth riff. contrastingly, inward slope features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. roadside lot is a soothing ambient fm tech tool. thats it. on to the next fifty.

• martyn hare is well and truly back with the complete ace that is premonitions !
• complimented by a solid remix from dont face paul birken
• very limited copies

new label launch from the super talented mystery man s.a.m. previously known for his releases on fathers & sons productions and subwax bcn. 3 tracks of pure quality, limited one off pressing and vinyl only. 1 copy per customer

new joints on the way from lovers rock. following his debut itals theme on 100% silk and the collaboration with la vampires, ital returns with culture clubs. two elegiac cuts + a remix by chicagos f***ed-acid mastermind, hieroglyphic being. deep opulent sway, submerged pitch bend and thousand yard stare ambiance. culture clubs meets mannheim steamroller downtown, eternally yours drips and cuts, and hbs no culture mix freaks like none other. outsider techno for a weeping world. edition of 500 in dj sleeve.

part 1 of the drawbar organ ep series

love, magic and transformation. acoustic, synthetic and mystical. experience and imagination. cinematic sparkle sounds, sensual, emotive and relaxed. listening to rain and drinking too much champagne. into the waves is all these things and more — a pop vocal record for our time.

these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein hes distributing straight dope, however, in the sense of emotional impact – dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated >author-future-pop< for the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos.

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

the second installment in the split lp series is a dutch affair, but it has everything it needs and more to soon make name far abroad. each side of the record contains a complete work clocking in at about twenty minutes.
side a is >chime ep< by hydrus. the four tracks they contributed stand out because of their meticulous production and their wonderful sense of melody and emotion. this is music in the best electronic tradition, blending hiphop, idm, ambient, funk, drone and badass breaks. hydrus begins this twenty-minute journey with a funky bump and end it in a mess of nervous percussion, splintered to dust.
side b is an altogether positive and quirky piece of work by kettel. like most of his work of the last few years, >yellow baron< is exploding with beautiful melody. in six tracks kettel puts everything to work to make your head bop, to bring a smile to your face and a tear to the corner of your eye. classic stuff, without losing sense of experiment.

28 tracks state-of-the-art remastered! original 7 and extendend deejay cuts by dennis brown, gregory isaacs, freddie mcgregor, michael rose, junior byles, delroy wilson, sugar minott, leroy smart, a.o. - the next essential chapter in the reggae anthology quality series!